GERMAN ACADEMY OF SCIENCE
GERMAN ACADEMY OF SCIENCE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts

 

Home

Site Map

Basic Law of the Academy

The Cosmic
Education Programm

Introduction to the University of the Future

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VIII.
THE PHYSICS OF MUSIC

The Dimension
of the Tone

Mastery over
the Instrument

Freedom of the Musician

The System of the Conventional Presentation of Sound

Unlimited Potential for
Structuring the Musical Sound-Space

The Fixed Tone

Modern Sound Production

The Long Forgotten
World of the
Microcosm of Music

Entering the
True World of Music

Musical Sovereignty in
the Inner-Tonal
Planetary Systems

The Inner World
of Power of the Melody

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the University

 

 






UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   VIII            
  THE PROCESS OF CREATING MUSIC            
         
 
Musical Sovereignty in the
Inner-Tonal Planetary Systems


   
 
The ar­tis­tic mas­tery over the me­chan­ics of over­tones in the in­ner-tonal plane­tary sys­tem lies in mas­tering the rhyth­mi­cal ap­pear­ance of the in­di­vid­ual over­tones in an in­te­grated man­ner.

 
The Polyrhythmic Structure of the Overtones
 
 
With the dy­namic and rhyth­mi­cal con­trol over the spec­tra of over­tones, the mu­si­cian can immeasurably in­crease the lis­tener’s aware­ness of space and time.

 
Increasing the Listener’s Awareness of Space and Time
 
 
In the over­tone-me­chan­ics, the spa­tial dis­tance be­tween the suc­ces­sively ap­pear­ing over­tones, as well as the time flow of each in­di­vid­ual over­tone, is gov­erned by the logic of the com­po­si­tion. Through this crea­tive mas­tery over the in­ner dy­namics of the spec­trum of over­tones the sound is sys­tem­ati­cally enli­vened from within.

 
Creative Mastery over the Sound Spectrum
 
 
Through this in­te­grated, dy­namic con­trol of the dif­fer­en­ti­ated ap­pear­ance of in­di­vid­ual over­tones of a sound – in a world of dif­fer­ent timescales, and to­wards true simultaneity, to­wards a re­al­ity be­yond space and time – the com­po­si­tional logic or­gan­izes, by means of the over­tone-me­chan­ics, the mul­tiple struc­ture of the space-time re­la­tion­ship from mor­tal­ity to im­mor­tal­ity.

 
Musical Exertion of Power beyond Space and Time
 
 
On the level of the mu­si­cal sound-space the com­poser dem­on­strates to the lis­tener the men­tal con­trol over space and time. Even in this outer shell of the ac­tual mu­sic, the clas­si­cal mu­si­cian, with his virtuosity, cap­tures un­bound­ed­ness and in­spires us mu­sic lovers to­wards in­ner men­tal-spiri­tual free­dom.

 
Meaning and Purpose of the Artistic Control over the Instrument
 
 
The in­te­grated con­trol over the over­tone-me­chan­ics, the in­ner struc­ture of the “tone”, en­ables a fusion of time and space on the level of con­scious­ness, and thereby gen­er­ates a state of bal­ance and time­less­ness in the in­fin­ity of our mu­si­cal imagi­na­tion.

 
Timelessness in the Infinity of the Musical Sound-Space
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
.