GERMAN ACADEMY OF SCIENCE
GERMAN ACADEMY OF SCIENCE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts

 

Home

Site Map

Basic Law of the Academy

The Cosmic
Education Programm

Introduction to the University of the Future

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

CONVEYING TRUTH
IN MUSIC

Music & Nature

The Fires of Cognition
in Music

Music & Philosophy
a Comparison

The Wayless Way
of Gaining Knowledge
in Music

The Dimension of
Conveying Knowledge
in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the University

 

 






UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PHILOSOPHY IN MUSIC
     
 
CONVEYING TRUTH IN MUSIC
     
         
 
Music and Philosophy
A Comparison


   
 
Like the sci­en­tific sys­tem of phi­loso­phy, mu­sic, too, distin-guishes be­tween the ob­jects of knowl­edge, the sub­ject which knows, and the proc­ess of know­ing which links the sub­ject and the ob­ject.

 
The Knower – the Object of Knowing – the Process of Knowing
 
 
The se­cret of the suc­cess of mu­sic – par­ticu­larly with the sim­ple man, but just as much with the com­pe­tent thinker – lies in the fact that mu­sic re­fines the struc­ture of the ob­ject un­der con­sid­era­tion in a dis­creet man­ner.

 
The Secret of Success of Music
 
 
We call it the ar­tis­tic form, but also in part: the in­ter­pre­ta­tion.

   
 
By means of this proc­ess of re­fine­ment, the mu­si­cian brings the ob­ject of con­sid­era­tion in a most dis­creet and unob­tru­sive man­ner closer and closer to us lis­ten­ers and to our self-aware­ness.

 
The Musical Process of Refinement of the Object of Cognition
 
 
And in his mu­sic he em­ploys the means of loving and pa­tient, elucidating and apolo­getic ex­plana­tion from the level of his heart.

   
 
Fi­nally, mu­sic ad­vances the iden­ti­fi­ca­tion of the in­fi­nitely re­fined, re­sound­ing ob­ject of con­sid­era­tion with our self-aware­ness, and we per­ceive the ful­fill­ing unity of our in­ner truth with what pre­vi­ously ap­peared so sepa­rate from us – with the world, pre­vi­ously so es­tranged to us, with crea­tion which pre­vi­ously un­folded so in­de­pend­ent from us.

 
The Art of Musical Enlightenment
 
 
What makes mu­sic an ideal tool of com­pre­hen­sive phi­loso­phi­cal cog­niz­ing – as dif­fer­ent from the com­mon prac­tice of phi­loso­phiz­ing or sci­en­tifi­cally ana­lyz­ing in words and in writ­ing – is the fact that mu­sic is able to stimu­late our feel­ing and our un­der­stand­ing si­mul­ta­ne­ously to cog­ni­tion.

 
The Philosophical Gaining of Truth in Music
 
 
And since phi­loso­phy means “love of truth,” and since love is un­think­able with­out the feel­ing be­ing in­volved, we must as­sume that for phi­loso­phy, and be­yond that for any kind of com­pre­hen­sive ac­qui­si­tion of knowl­edge, mu­sic is a means of gain­ing knowl­edge more quali­fied than the com­mon prac­tice of verbal or writ­ten in­tel­lec­tual dis­cus­sion – ex­clud­ing poetry, for one thing, which is ca­pa­ble of stimu­lat­ing the feel­ing more than in­tel­lec­tual dis­cus­sion.

   
     
     
                               
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
.