GERMAN ACADEMY OF SCIENCE
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Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

XI.
INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC

Ancient Truths in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of Cognition in the Process of Gaining
Knowledge in Music

Necessity of the
Neurophysiological
Integration

The Performance of the
Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of Conventional
Musical Education

Increase of Performance
of the Intellect in Music

The Eigenfunction of
the Intellect as the
True Musical Creator

The Journey to the Eternal Sources of Music

The Highest Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at the Origin of All
Creative Thinking

Purposeful Development
of Performance in the
Field of our
Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   XI
     
 
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC
     
         
 
The True Organs
of Finding Truth in Music


   
 
For mu­si­cal cog­ni­tion proper the sense of hear­ing is not at all re­quired.
It only pro­vides our ac­tual or­gans of mu­si­cal know­ing – our self-con­scious­ness, and our in­tel­lect en­dowed with feel­ing and un­der­stand­ing – with the sound­ing in­for­ma­tion about the tones.

 
The Physiology and the Soul of Music
 
 
How­ever, just as within some­one’s physi­ol­ogy his soul is liv­ing, within the tones the soul of mu­sic is liv­ing.
And just as the soul enli­vens man from within and moves him, the co­or­di­nated pow­ers of form­ing, i.e. motif, melody, se­quence, and har­mony per­vade the mu­si­cal sound-space as the soul of mu­sic, and set it vi­brat­ing lively.

   
 
Dur­ing crea­tive mu­sic lis­ten­ing where, owing to the condensation of our in­tel­lect, we iden­tify our­selves with our self-aware­ness to a much greater ex­tent than with our outer or­gan of hear­ing, the su­preme mu­si­cal knowl­edge is the ex­peri­ence of the har­mony, and this ex­peri­ence brings about an in­te­gra­tion of the self-aware­ness with our in­tel­lect.
Through this in­te­gra­tion we raise our in­tel­lect to the same status of high struc­tural den­sity which our self-aware­ness natu­rally pos­sesses.

 
The Function of Supreme Musical Knowledge
 
 
If we fur­ther in­crease the imme­diacy of our mu­si­cal ex­peri­ence by rais­ing our self-aware­ness in its den­sity to the high­est pos­si­ble state ever – by rais­ing our in­di­vid­ual self-aware­ness, by vir­tue of the mu­si­cal logic, to the state of our uni­ver­sal self – then we attain the deep­est depths of the mu­si­cal mean­ing: with our fac­ulty of know­ing we reach the in­fi­nite mu­si­cal force-field of the har­mony.

 
The Musical Path of Knowing into the Deepest Depths of the Musical Meaning
 
 
Here, in the world of the har­mony, lies the ab­so­lu­te field of true, im­me­di­ate cog­ni­tion in mu­sic.
Any fur­ther mu­si­cal cog­ni­tion, i.e. lo­cated fur­ther out­side, is of only me­diate na­ture to us.

 
The Absolute Force-Field of True Musical Knowledge
 
     
     
                                   
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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